Selasa, 05 Oktober 2010

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Urban Mermaid: Tails From Colony Island, Book One (Volume 1), by Howard T. Parsons

Ever since Penelope Tench was in grade school, she knew there was no one living on Colony Island she was interested in choosing as a mate. There were feral boys merfolk who lived in the ocean but they were not a viable choice. Penelope could only spend three days at sea before wanting to return home to her warm bed and a hot meal. She wanted to find a mate and have a family someday, like most females, with or without scales, but as she grew up, her chances lessened, as there seemed to be only one option left and mermaids were strongly advised not fall to in love with humans. After graduating with a degree in Finance, she began living a very lonely and isolated life in the city and shut out her family and friends. Even though she had a job lined up, she felt there was no future for her anywhere. While spending a day in the ocean, Penelope lay under a dock contemplating her life. She was about to return to the city, catch a flight to the desert, and end things, when a human male walked out on the pier. Instead of hiding, she popped above the surface, gave him a scare, and then proceeded to chat with him for a bit before disappearing underwater. She d enjoyed herself so much, she decided she would stick around a bit longer. Penelope reported for her new job the next morning, and found her temporary desk was right next to the Assistant Comptroller, Peter MacPherson. They immediately recognized each other from the previous day, and although she wanted to flee, a series of circumstances kept her at the company. Peter assured her he d keep her secret safe, and subsequently volunteered to make her weekend swims enjoyable again by handling all the logistics motels, meals, and safe and secure drop-offs and pick-ups. Over the next couple months, Penelope began enjoying being a mermaid again. Then, following a knock-down, drag-out debate with herself, she realized she had feelings for Peter, and decided she would go out in a blaze of glory and get into bed with a human.

  • Sales Rank: #3336320 in Books
  • Published on: 2015-08-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x 1.14" w x 5.50" l, 1.26 pounds
  • Binding: Paperback
  • 452 pages

Review
I knew that Howard Parsons was sort of a mermaid expert going into this. Okay, so there's no doctorate one can obtain to officially qualify for such a title, but if there was, this author would have the certificate, the trophy, the PHD, the Monopoly board game mermaid edition, and some sort of Nobel Prize. Urban Mermaid is unlike any other mermaid book I've ever read. His book isn't even a half-cousin to any of them. There are no off-the wall names, there's no royalty, there are no sparkles, there's no slack-jawed human. What there is is warmth. Urban Mermaid crosses more genres than any Mer book I've ever read, and what is so cool about it is that paranormal romance and fantasy don't even get a look-in! It's a satire, a romantic comedy, a coming of age, a blue-collar romance, and in the end just a beautiful story about ordinary people meeting, falling in love, and trying to overcome obstacles together, when one of those people just happens to have a tail sometimes. The characters are not too perfect to be true they're the average Mr. and Miss, and I am so grateful for that. Howard doesn't need tsunamis and royal weddings and octopus-people or seahorses named Glimmer to make you fall in love with his characters. They are realistic, flawed, lovely, and practically peel themselves off the page and wiggle into the sea with their believability. Pulling off a hero in this day and age who isn't loaded or fabulously wealthy, or more kinked than a home perm, is a hard task but Mr. Parsons does exactly this, and with a lovely, graceful writing style that only the most refined writers can cultivate. --S.K. Munt, author of The Fairytail Saga

This story illustrates Howard Parsons' extensive research and all of the years he's spent reading and reviewing other Mer tales. The author has sketched out Colony Island in such a way, that I can see the little shops, the beachfronts, and also the Mer who secretly make up this quaint beach town. The mermaid mythology in Urban Mermaid is completely unique and unexpected. Pen and Peter have a love story all their own. Congratulations, Howard Parsons. You've created a very distinct little world with a seemingly normal and average couple who turn out to be anything but by the story's end. --Emm Cole, award-winning author of the Merminia series and The Short Life of Sparrows

The story was presented in a fresh and bold new way, while still managing to incorporate some traditional mythology. Urban Mermaid was an enjoyable read, and I found myself delving deeper and deeper into the story and feeling emotionally invested rather quickly. Howard Parsons portrays a colorful picture of figures and places you can tangibly feel. It is a love story between Penelope and Peter first and foremost, but that doesn't mean that love comes easy. They face everyday problems that are timeless family, work, stations, stigmas, etc. This is definitely not the childhood bedtime story many of us remember when we think of 'mermaids'! It is much sexier, edgier, and faster paced. Urban Mermaid is smartly written with the added benefit of breaking away from many of the clich�s that are common with this theme of story, while still maintaining the core folklore most mer fans are hoping to see. If you are craving an entirely new mermaid experience, by all means, read this book. --Paige Blue, author of Finding Summerland

About the Author
Howard T. Parsons was born in Petersburg, Virginia during the final days of King George VI’s reign. He grew up and attended school in nearby Hopewell, VA. The eldest son of Lucile and Howard T. Parsons, Sr., he attended North Carolina College in Rocky Mount and graduated in 1974 with a Bachelor of Science in Biology. Although his interests lay in Virology and Marine Biology, the need to earn a living led him to the field of Information Technology. During his stint with the Michie Company in Charlottesville, Virginia, he developed the TOOL programming language, and in 2008, wrapped up a thirty-year career in legal publishing. Howard recently retired from his position as a software engineer with the Dematic Corporation and lives in The Parsonage in Charlottesville with his wife and the latest two moggies in a long line of house cats. His interests include pipe collecting, Scottish highland games, railroads, and heraldry.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A fresh version of mermaids, and a fun spin on boy meets girl!
By Amazon Customer
Howard Parsons' extensive research and all of the years he's spent reading and reviewing other Mer tales shines through in his take on a subject that has been done so many ways. This is such a fresh version of mermaids, and one that I think most readers will not only find pleasantly surprising, but will appreciate for it's nuances.

The author has sketched out Colony Island in such a way, that I can see the little shops, the beach fronts, and also the Mer who secretly make up this quaint beach town. The Mer people of Colony Island feel like old friends and neighbors, and I think the backbone of the community gives this story as much warmth as the love story at the forefront.

The mermaid mythology in Urban Mermaid is completely unique and unexpected. If you came away from this story thinking it was somehow both fantasy and contemporary romance, you'd be right on both counts. These creatures from an ancient and feral race seamlessly blend into a modern landscape, and Pen and Peter's very human problems of joining two different lifestyles against the backdrop of fins just makes it all the more fun.

Pen and Peter have a love story all their own. Congratulations, Howard Parsons. You've created a very distinct little world with a seemingly normal and average couple who turn out to be anything but by the story's end. Mermaid fans and those who want a truly new spin on girl next door meeting the man of her dreams should pick this one up. I have a feeling that the visually detailed and carefully crafted background of Colony Island is well suited for many more stories. I can't wait to read them!

0 of 0 people found the following review helpful.
Charming story
By Daniel Casey
Urban Mermaid mixes the mundane and the fantastic creating a mermaid story that goes beyond mere fairytale but never abandons the charm of the genre. The couple’s meet-cute, their developing romance, and the meet-the-parents interlude leading up to the inevitable provides little in the way of surprise but never disappoints.

Read more of my review here: [...]

1 of 1 people found the following review helpful.
A believable take on mermaids, and an optimistic world view in this contemporary romance
By Pete Tarsi
I received an ARC (Advance Reader Copy) from the author in exchange for an honest review.

Being a YA author, I read a lot of YA fiction, and I'm a big fan of mermaids. Many YA mermaid stories often center on teen girls learning they’re part mermaid princess or on mermaid royalty coming on land to experience or escape. There’s usually a hint of romance involved, but being YA, it’s typically clean teen romance. Urban Mermaid is NOT a YA mermaid fantasy book.

When I read books geared for adults, I tend to gravitate towards fast-paced thrillers like those written by Dan Brown, or to science fiction like Michael Crichton or horror like Stephen King. I rarely read straight-up contemporary adult romance, and that’s the genre where Urban Mermaid fits the most. Though there’s the supernatural element of characters being mermaids, this book wouldn’t really be classified as a fantasy story.

Penelope Tench has just been hired as the assistant comptroller for a publishing house in the city. She lives away from her home—a community of mermaids and mermen called Colony Island—because there doesn’t seem to be a suitable mate for her there. In the mermaid world Parsons has created, finding a mate is crucial to a mermaid’s happiness. Needing to periodically get her fins wet, Penelope is lying in the water underneath a dock and contemplating her future.

Without warning, there are footsteps on the dock above her. Instead of staying there silently waiting until the man leaves, she reveals herself—tail and all—to him and plants a kiss on him that leaves him breathless. The moment is described so well that it wasn’t difficult to get lost within it…and secretly dream that I was at the receiving end of a mermaid’s kiss.

When Penelope starts her new job, she finds that she works in the same office as the man she encountered the day before! At this point, I was eager to see all the tension and complications this would cause. He introduces himself as Peter (hey, that’s my name! I can live vicariously through him!) and assures her that her secret would be safe with him. I immediately questioned why he wouldn’t exploit the situation—after all, he discovered a magical creature and could make a fortune—but then I realized that as a mermaid aficionado, I’d probably do the same. Despite his offer, Penelope is skeptical and tries to keep him at arm’s length, creating this initial conflict of the book.

But this really isn’t a conflict-driven story, and I’ll admit I was a little thrown by that at first. I had expected from the word Urban in the book’s title that the book would be about Peter and Penelope hiding the truth of her identity from the city dwellers. Instead, the story is relationship-driven, and it chronicles a budding romance and courtship, showing the reader that true love comes from accepting all facets of your partner and how strong communication can overcome relationship problems.

Though there’s the fantasy element of Penelope being a mermaid, the inner workings of this story are so real. The characters feel like real people going through real relationship issues. The level of detail given to describe Penelope’s home of Colony Island made me feel like I was driving through an actual seaside town. The culture of these mermaids is fully realized, with their history stretching all the way back to Greek mythology—another subject I enjoy—and author Parsons did his research but made it his own.

In the end, what I admired most about the book was the world view Parsons presents—a world view to which we should all aspire. When Peter and Penelope choose to get married, the mermaid community embraces the human traditions surrounding weddings and other holidays. Meanwhile, Peter literally throws himself into mermaid culture. One of Parsons’ underlying themes is that we should embrace our cultural differences and realize that our anatomical differences are minor—we’re made up of more or less the same DNA. Peter delivers a beautiful speech about it regarding mermaids and humans. I wish our world was more understanding and accepting like this, but until it is, we’ll have to look to the tails from Colony Island.

Even without conflict elements I was anticipating, the optimistic world view made Urban Mermaid rise above the tide to FOUR STARS.

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Kamis, 30 September 2010

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How to Live with a Control Freak - Get your life back, by Barbara Baker

Do you live with a controlling partner? Someone who always wants to make the decisions, about where you go on holiday or what you spend on clothes? Someone who needs to know where you are or what you are doing? Or maybe you work with a control freak? Even though you've got the talent, this person takes all the limelight and can't let go enough to let you get on with your job. Control freaks come in all shapes and sizes. Often they happen to be the people we love. Your friends and family may say 'Why don't you just leave them?', but it's not always that simple, especially if you still love the person and have good times together. This book looks at how and why controlling patterns develop in relationships, and what you can do about it if you're in the middle of one. Topics include: why people become control freaks; what it's really like to live or work with one; understanding how a control freak ticks; how to live with a control freak - without losing yourself in the process; living with a controlling partner, boss, colleague or child; and, what to do if you're the control freak - a comprehensive self-help section

  • Sales Rank: #3740178 in Books
  • Brand: Brand: Sheldon Press
  • Published on: 2010-02-18
  • Released on: 2010-02-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .29" w x 5.43" l, .35 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

About the Author
Barbara Baker is a journalist specializing in health and self help issues, and is author of When Someone You Love has Depression, and Coping with Long-term Illness, both for Sheldon. She is a BACP accredited psychotherapist and is based in Truro, Cornwall.

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Rabu, 29 September 2010

[R999.Ebook] PDF Ebook Religion in Contemporary China: Revitalization and Innovation (Routledge Contemporary China Series)From Chau, Adam Yuet (EDT)

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Religion in Contemporary China: Revitalization and Innovation (Routledge Contemporary China Series)From Chau, Adam Yuet (EDT)

Before the modernist transformations of the twentieth century, China had one of the richest and most diverse religious cultures in the world. The radical anti-traditionalist policies of both the Republican and Communist regimes as well as other socio-historical factors posed formidable challenges to China’s religious traditions but, this book argues, these conditions also presented new opportunities for re-generation and innovation.

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Written by an international, interdisciplinary team of experts who have all conducted in-depth fieldwork research in China, this book provides a wide-ranging survey of contemporary religious practices in China. It examines the different processes and mechanisms of religious revivals and innovations, and, more broadly, relates the Chinese example of religious revitalization to larger issues of social and cultural continuity and change.

  • Sales Rank: #6058801 in Books
  • Brand: Chau, Adam Yuet (EDT)
  • Published on: 2011-02-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .63" w x 6.14" l, 1.20 pounds
  • Binding: Hardcover
  • 264 pages

About the Author

Adam Yuet Chau is University Lecturer in the Anthropology of Modern China in the Department of East Asian Studies at the University of Cambridge, UK.��He is the author of Miraculous Response: Doing Popular Religion in Contemporary China.

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0 of 0 people found the following review helpful.
Five Stars
By Soohyun Cha
Fun

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Jumat, 24 September 2010

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Laibon: An Anthropologist's Journey with Samburu Diviners in Kenya, by Elliot Fratkin

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Laibon: An Anthropologist's Journey with Samburu Diviners in Kenya, by Elliot Fratkin

Elliot Fratkin shares the story of his early anthropological fieldwork in Kenya in the 1970s. Using his fieldnotes and letters home to bring to life the voices of those he met, Fratkin invites the reader to experience his cross-cultural friendships with the enigmatic laibon (a diviner and healer of the Samburu and Maasai peoples) Lonyoki, his family, and the people of the nomadic community of Lukumai. Fratkin participated in the daily lives of the Ariaal livestock herders and accompanied the laibon as he performed divination and healing rituals throughout Marsabit and Samburu Districts. After Fratkin reunited Lonyoki with his son and wife, Lonyoki adopted Fratkin into his family, and Fratkin continues his close friendship with Lonyoki’s son Lembalen today.
Black-and-white photographs, a guide to the characters, words, and places, and a list of suggested readings supplement the engaging narrative. Laibon is more than a memoir; it delves into nitty-gritty details of fieldwork, speaks to larger questions about ethnographic research, and provides unparalleled insight into the world of the laibon.

  • Sales Rank: #445678 in Books
  • Brand: Brand: AltaMira Press
  • Published on: 2011-09-29
  • Released on: 2011-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.06" h x .50" w x 6.08" l, .74 pounds
  • Binding: Paperback
  • 202 pages
Features
  • Used Book in Good Condition

Review
Elliot Fratkin has written an insightful, enjoyable, and very readable book about his fieldwork and life-long friendship with a family of diviners ( laibon ) in northern Kenya. The work is strongly autobiographical, recounting how a young, rebellious American anthropologist in the 1970s found himself conducting dissertation research among Ariaal, a Samburu-related nomadic community of northern Kenya. (African Studies Review)

This autoethnography is entertaining, provocative, and full of enduring truths about what fieldwork entails and offers. He sees his work as both an ethnography of the laibons... and a memoir—a lifelong search for belonging. The book's chapters are divided into revelatory scenes of Fratkin's experiences living among Ariaal. (American Ethnologist)

In this vivid, engaging account of his early, extended anthropological field work with a Samburu community in rural Kenya, Fratkin demonstrates that however ‘exotic’ they may seem to tourists, aid workers and even urban Africans, Samburu pastoralists are just people, part of our shared humanity who experience love, loss and life in familiar ways. In so doing, he also validates the power of anthropological methods, revealing the intimate insights into everyday life and specific research topics (in this case, Samburu laibons) provided by deep immersion, linguistic fluency, participant observation, informal conversations and more formal interviews. . . .Laibon is written and structured like a novel – evocative chapter headings, recurring characters and storylines, extended dialogue, themes of love and loss and a narrative arc that traces the discoveries and challenges of arrival, departure, and return. I highly recommend the book to scholars as a significant study of Samburu divination; to teachers as an ideal text for courses in introductory anthropology, field work and African studies; and to undergraduate and graduate students curious about the highs and lows, truths and trials of ethnographic research in rural Africa. (Nomadic Peoples)

Elliot dares to use his own research to pose the question: Is there any true objectivity in field research and anthropological inquiry? He dares to depict his own attachments and relationships to this very special community, while also staying true to his research. His insights further the reader’s understanding and appreciation of the culture and of the research process, thus expanding the boundaries of anthropology. Readers from budding anthropologists to aid workers to volunteers will identify with Elliot’s observations, experience, and deep connection to the culture he studied and the people he grew to love.

(Kris Holloway, author of Monique and the Mango Rains: Two Years with a Midwife in Mali)

A vivid, engaging account of Elliot Fratkin's apprenticeship into the mysteries of divination and healing by a prominent Samburu laibon. This book succeeds on many levels—as an unparalleled exploration of the secret meanings and methods of divination by laibons; as a window into the experience of extended field research—the insights and challenges, the emotions and relationships; and as a compelling story about our shared humanity, a reminder that people everywhere experience love, loss and life in ways that will seem achingly familiar. (Dorothy L. Hodgson, Rutgers University)

Fratkin’s book, a journal of personal as well as ethnographic exploration, is honest, funny, moving, empathetic, and respectful and, as an account of fieldwork, rings absolutely true. It is a superb introduction to Samburu, especially their prophets, and to the experience of field anthropology. It would make an engaging teaching text for engaged undergraduates and graduate preparation

(Richard Waller, Bucknell University)

About the Author
Elliot Fratkin is professor of anthropology at Smith College.

Most helpful customer reviews

1 of 1 people found the following review helpful.
not just for academics
By Amazon Customer
Yes, I read it for a class, but I've since passed it on to my parents who are also enjoying it. The author is writing the book from the perspective of an experienced academic, using his field notes from his first field experience, so we get the perspective of both. He blends narrative and insight so that it does not read like a text, yet educates the reader to the complexities of the situations and the anthropological perspective. He is writing about a place and people he clearly cares deeply for, and has insight that is important for understanding such issues as climate change, foreign aid (that is NOT helpful if the providers don't understand the local situation) and acculturation.
NOTE: even the non-readers in the class enjoyed it, and discussions were lively..

2 of 3 people found the following review helpful.
Read this great book
By Douglas L. Saunders
I knew Elliot in Kenya, and heard some of these stories firsthand, but it was immensely fun reading how all those stories fit together, and get a more in depth glimpse into Elliot's research, way back when.

0 of 0 people found the following review helpful.
So much fun
By Rebekah Gyger
I had to read this book for class and it was a lot of fun. Definitely on the list of favorites. I had originally just rented it for class, but now I am planning to by it for my own bookshelf.

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Selasa, 21 September 2010

[H244.Ebook] Ebook Fundamentals of Python: Data Structures 1st edition

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Fundamentals of Python: Data Structures 1st edition

  • Published on: 1709
  • Binding: Paperback

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Minggu, 19 September 2010

[T585.Ebook] Fee Download The Potter's Art (Material Culture), by Henry Glassie

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The Potter's Art (Material Culture), by Henry Glassie

"Coming into being, the work of art, this very pot, creates relations―relations between nature and culture, between the individual and society, between utility and beauty. Governed by desire, the artist’s work answers questions of value. Is nature favored, or culture? Are individual needs or social needs more important? Do utilitarian or aesthetic concerns dominate in the transformation of nature?" ―from the Introduction

The Potter’s Art discusses and illustrates the work of modern masters of traditional ceramics from Bangladesh, Sweden, various parts of the United States, Turkey, and Japan. It will appeal to anyone interested in pottery and the study of folklore and folk art.

Henry Glassie is College Professor of Folklore and Co-director of Turkish Studies at Indiana University. He has been a Guggenheim Fellow and a Fellow of the National Humanities Institute; he has also served as President of the Vernacular Architecture Forum and of the American Folklore Society.

Material Culture―Henry Glassie, George Jevremovi�c, and William T. Sumner, editors
(Note: there is an accent egue on the c Jevremovic)

Contents:
The Potter’s Art
Bangladesh
Sweden
Georgia
Acoma
Turkey
Japan
Hagi
Work in the Clay
Acknowledgments
Notes
Bibliography
Index

  • Sales Rank: #1112184 in Books
  • Published on: 2000-01-22
  • Released on: 2000-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .53" w x 6.00" l, 1.02 pounds
  • Binding: Paperback
  • 152 pages

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0 of 0 people found the following review helpful.
Two Stars
By Stephaniesmith
Not what I was really looking for. Remedial.

8 of 9 people found the following review helpful.
A great work, for professional and layman alike!
By L C
Henry Glassie has done it again! Professor Glassie's contributions to the field of material culture studies are well known in the field, and this work is no exception. In this book, Glassie takes a look at pottery manufacturing in 6 regions of the world -- Turkey, Bangladesh, the American Southwest and Georgia (U.S.), Japan and Sweden. However, Glassie does not simply look at ceramic production. Instead, the art and tradition embodied in clay, and the lives of the potters themselves, are at issue for Glassie. In addition to being a great introduction to pottery production in these regions, this book provides marvelous photographs of potters and their craft. This is an excellent book for professionals potters, archaeologists, or anyone interested in pottery, ceramics, or living traditions!

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Jumat, 17 September 2010

[A982.Ebook] Download PDF The Crowd, by Gustave Le Bon

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The Crowd, by Gustave Le Bon

The Crowd: A Study of the Popular Mind is a brilliant treatise on the workings of crowds. Gustave Le Bon examines many different kinds of crowds and how they work. He differentiates between different kinds of crowds such as mobs, juries, elected bodies, and simple crowds. This landmark book is one of the most influential books ever written on this subject. An important book for anyone studying or working in the fields of sociology, law, and psychology.

  • Sales Rank: #718837 in eBooks
  • Published on: 2013-01-28
  • Released on: 2013-01-28
  • Format: Kindle eBook

Review
"Insightful for its apprehension of the primitive nature of crowds..."

Language Notes
Text: English, French (translation)

About the Author
Gustave LeBon (1841-1931) was a French physician who wrote widely on scientific subjects, including anatomy and physiology, anthropology, and history. Many of his writings focused in particular on national traits, crowd behavior, and racial superiority. His numerous books include The Civilization of Arabs, The Psychology of Peoples, and The Crowd.

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174 of 183 people found the following review helpful.
Why I Avoid Large Groups of People.
By zonaras
_The Crowd: A Study of the Popular Mind_ by French social theorist Gustave LeBon is a short treatise on the principles of large gatherings of people. As the disclaimer on the title page notes, the ideas in LeBon's book were popular at the time of the late 19th century but are no longer in vogue today. The reasons for this are obvious, as LeBon unpretentiously puts to fault all the rhetoric about "democracy," "equality," "fraternity," and "equality" as being mere catchphrases that self-serving demagouges use to control the spirit of the masses. He cites the French Revoloution and the demands of Socialism and Communism during his time. LeBon outlines the way crowds tend to think (in vivid images illogically connected), how they reason (they don't for all practical purposes), how they express exaggerated emotion, how they are very quick to take action without coherent thought and of the general extreme-conservativism and intolerance of crowds. The individual who becomes part of a crowd tends to loose himself, and feels invincible as he is aware of the similarity of mind and purpose of all those surrounding him. LeBon notes how individuals become unthinking entities of the Herd, and can be unconsciously made to do acts, which can either be of great criminality or heroism. The reasoning of the solitary individual is superior to that of a crowd which has no individuality. All are "equal" in a crowd where, for instance, a mathemetician is caught up in the same spirit as a laborer and class and intelligece differences fall to the lowest common denominator. One advangage of crowds is that they can express the spirit of a class, caste, or race of a people better than the individual can, and that crowds are capable of great deeds such as victory in a war or the spread of a religion that would be beyond simply one person's effort. The back title of _The Crowd_ mentions that Hitler, Mussolini in addition to Freud were familiar with LeBon's work, and it is readily apparent that their followers acted very similar to the behavior that LeBon describes. The basic point of _The Crowd_ is this: For Bettor or Worse, Never Underestimate the Power of Stupid People in Large Groups.

95 of 106 people found the following review helpful.
9/11 and 'The Crowd'
By Stan
I think the reviewer Derek Pillion summed up this book rather well. But I want to relate something that came into my mind after reading the following passage from chapter III:
"A hundred petty crimes or petty accidents will not strike the imagination of crowds in the least, whereas a single great crime or a single great accident will profoundly impress them, even though the results be infinitely less disastrous than those of the hundred small accidents put together.
The epidemic of influenza, which caused the death but a few years ago of five thousand persons in Paris alone, made very little impression on the popular imagination. The reason was that this veritable hecatomb was not embodied in any visible image, but was only learnt from statistical information furnished weekly.
An accident which should have caused the death of only five hundred instead of five thousand persons, but on the same day and in public, as the outcome of an accident appealing stronly to the eye, by the fall for instance of the Eiffel Tower [sic], would have produced, on the contrary, an immense impression on the imagination of the crowd.
... To know the art of impressing the imagination of crowds is to know at the same time the art of governing them."
What came into my mind after reading that passage? Airplanes and collapsing towers. This book is a must read for any thinking person.

66 of 74 people found the following review helpful.
More insightful than Macchiavelli
By Alessandro Bruno
This is a short book whose pages have a far greater impact than the title might suggest. As many reviewers have already noted, the book simply explains the mechanisms that guide the popualr imagination and outlines the simple principles that enable the few who grasp them to hold control over vast populations. What struck me particulalry was how the recipes for power suggested by Gustave Le Bon are reflected in contemporary neo-liberal economic and socio-cultural agendas. Those who are involved in developing education policies will find the book especially useful. Writing over a century ago,Le Bon criticized the liberal education system and advocated the more common sense practical type of learning that neo-liberal agendas have been pushing for since the late 70's. It also makes a strong case for the impact of simple messages over crowds. Common sense arguments, logic and thoughtful concerns, LE Bon argues, are lost on the masses. Indeed, it is widely believed that this was one of Benito Mussolini's favorite books. We are living ever more in an era of simplistic thinking. By reading this book you will understand how this has occurred and how demagogues rise to power. As with another reviewer, I also stay away from crowds. This book unraveled the unconscious instincts that always make me avoid crowds and anything that is too popular.

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