Rabu, 31 Oktober 2012

[C893.Ebook] Ebook Download Norse Stories Retold From the Eddas, by Hamilton Wright Mabie

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Norse Stories Retold From the Eddas, by Hamilton Wright Mabie

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Norse Stories Retold From the Eddas, by Hamilton Wright Mabie


This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.

As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • Published on: 2015-08-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .63" w x 6.14" l, 1.20 pounds
  • Binding: Hardcover
  • 264 pages

Most helpful customer reviews

10 of 13 people found the following review helpful.
Good book for all ages
By Spence the Elder
Norse Stories Retold from the Eddas (1901, 1902, 1908 & 2006)
a.k.a. Norse Mythology Great Stories from the Eddas (2002)
By Hamilton Wright Mabie

This review will be covering several editions of this work, while the text is the same in all the editions their presentations vary greatly.

A well written book covering seventeen of the more popular Norse Myths from the Eddas. Mr. Mabie had a very engaging style that is palatable for adults and will still hold the interest of children.

Now, having said this, it must be remembered that this work was originally written in 1882. This was a time when children were not sheltered from the realities of life and death. A time when being politically correct meant that you voted for the winner. A time when cholera, small pox and numerous other diseases ran rampant through the population. Children were quite a bit tougher back when this work was written. So if you have a wimpy, sheltered child you may want to find another book for story time. Or try something mindless and milk toast like the Disney Channel.

All the stories are faithfully translated into a readable and entertaining format. While this work can not be considered scholarly, it does convey the spirit of the Norse Era quite well. As a testament to the books quality, few works of any type continue to be published for over a century.

One of the newer editions, "Norse Mythology, Great Stories from the Eddas", 2002, was, (to me anyway), a bit of a disappointment. While the text remained the same as the older editions, the illustrations or lack of them, however, has not. The early 1900's editions are lavishly illustrated with Nordic style gilt work on every page and simple, but powerful water color's throughout the book. The cover was graced with a depiction of a powerful Viking God, (probably Odin), looking proud and imposing. The 2002 paperback editions cover depicts a beardless, nude, neo-Greek Thor battling Jormungand, (the 1788 Henry Fuseli painting), from the Chapter 9 story, "Thor Goes Fishing". While the cover art is well done, its style would be better served on a book of Greek or Roman Myths. The interior illustrations and gilt work of the 2002 edition are nonexistent. This lack of interior illustration transforms a very good book with eye catching pages that add life to the myths into just another paperback.

All and all a nice retelling of the tales but if you can get a copy of the older editions or the 2006 paperback it's well worth it.

In Frith,
Spence the Elder

"Sic gorgiamus allos subjectatos nunc"
M. Addams

0 of 0 people found the following review helpful.
Well told Stories from Germanic Mythology
By Spence the Elder
Norse Stories Retold from the Eddas (1901, 1902 & 1908)
a.k.a. Norse Mythology Great Stories from the Eddas (2002)
By Hamilton Wright Mabie

This review will be covering several editions of this work, while the text is the same in all the editions their presentations vary greatly.

A well written book covering seventeen of the more popular Norse Myths from the Eddas. Mr. Mabie had a very engaging style that is palatable for adults and will still hold the interest of children.

Now, having said this, it must be remembered that this work was originally written in 1882. This was a time when children were not sheltered from the realities of life and death. A time when being politically correct meant that you voted for the winner. A time when cholera, small pox and numerous other diseases ran rampant through the population from time to time. Children were quite a bit tougher back when this work was written. So if you have a wimpy sheltered child you may want to find another book for story time, something mindless and milk toast like the Disney Channel perhaps.

All the stories are faithfully translated into a readable and entertaining format. While this work can not be considered scholarly, it does convey the spirit of the Norse Era quite well. As a testament to the books quality, few works of any type continue to be published for over a century.

The newest edition, "Norse Mythology, Great Stories from the Eddas", 2002 edition, was, (to me anyway), a bit of a disappointment. While the text remained the same as the older editions, the illustrations or lack of them has not. The early 1900's editions are lavishly illustrated with Nordic style gilt work on every page and simple, but powerful water color's throughout the book. The cover was graced with a depiction of a powerful Viking God, (probably Odin), looking proud and imposing. The 2002 paperback editions cover depicts a beardless, nude, neo-Greek Thor battling Jormungand, from Chapter 9, "Thor Goes Fishing". While the cover art is well done, its style would serve better on a book of Greek or Roman Myths. The interior illustrations and gilt work of the 2002 edition are nonexistent. This lack of interior illustration transforms a very good book with eye catching pages that add life to the myths into just another paperback.

All and all a nice retelling of the tales but if you can get a copy of the older editions it's well worth it.

In Frith,
Spence the Elder

"Sic gorgiamus allos subjectatos nunc"
M. Addams

2 of 3 people found the following review helpful.
NORSE STORIES by Hamilton Wright Mabie
By MOTU Review
Norse Stories, Retold from the Eddas, also known as Norse Mythology: Great Stories from the Eddas, is an 1882 book on Norse mythology by Hamilton Wright Mabie. While never explicitly stated, this book is obviously geared toward a young adult audience.

Norse Stories reads like something of a greatest hits of Norse mythology. There's so much missing: many of the mythos's best-known tales are here, but ripped from the context needed to fully understand them. What is here, though, is well done. Mabie tells the stories well, and he provides some wonderfully rich descriptions. But feels like Mabie went through the Eddas and just ripped out whole pages without making the slightest effort to link things together. He was sloppy, too; an example: here we get "Odin's eyes began to flash" six pages after he trades one for wisdom at Mimir's Well.

In its degree of violence and pessimism, Norse mythology is unmatched throughout the world. Yet Norse Stories has a distinctly positive tone, perhaps due to the book's younger audience. Whatever the reason, this book doesn't really provide the true mood or tone of Norse mythology.

Ultimately, Norse Stories is a collection of well-told stories severely hampered by their lack of context and other limitations. If you're well-versed in Norse mythology, you may enjoy what Mabie does with the stories here. If not, you aren't going to get a coherent understanding of it from Norse Stories. But it shouldn't be difficult to find half a dozen better books on the topic.

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Selasa, 30 Oktober 2012

[I440.Ebook] Ebook Study Guide for Diversity Amid Globalization: World Regions, Environment, Development, by Lester Rowntree, Nancy Obermeyer

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Study Guide for Diversity Amid Globalization: World Regions, Environment, Development, by Lester Rowntree, Nancy Obermeyer

Book by Rowntree, Lester, Obermeyer, Nancy

  • Sales Rank: #1376920 in Books
  • Brand: Brand: Prentice Hall
  • Published on: 2011-06-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.90" h x .30" w x 8.40" l, .85 pounds
  • Binding: Paperback
  • 192 pages
Features
  • Used Book in Good Condition

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Rabu, 24 Oktober 2012

[M404.Ebook] Ebook Free The Calligrapher's Bible: 100 Complete Alphabets and How to Draw Them (Artist's Bible), by David Harris

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The Calligrapher's Bible: 100 Complete Alphabets and How to Draw Them (Artist's Bible), by David Harris

An essential guide for all calligraphers - whether they are amateurs or professionals. The book contains over 100 different alphabets with detailed instructions on how to draw all the letters. Its wire binding means that the book will lie flat and be easy to work from. There is also useful information about tools and materials, basic layouts and illumination and ornamentation. A must for the reference shelves of all calligraphers.

  • Sales Rank: #750749 in Books
  • Published on: 2003-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.68" h x 1.18" w x 5.71" l, .0 pounds
  • Binding: Hardcover
  • 256 pages

Review
"Beautifully illustrated examples of alphabets and projects also fill The Calligrapher's Bible by an internationally recognized calligrapher David Harris. The subtitle announces its "100 Complete Alphabets and How to Draw Them", a promise that is more than kept."


— Pen World International, January 2004

From the Back Cover
back cover
This comprehensive guide to the art of fine penmanship is the ultimate easy-to-use reference book for anyone interested in creating these elegant letter forms.
100 beautifully crafted calligraphic hands show step-by-step pen strokes and common group structures. Points of interest within each hand ensure correct representation of the characters. An extensive preparatory section details tools, materials, and basic techniques. Beginners and experienced calligraphers alike will be able to extend their repertoire with ease, effortlessly learning the new hands and refining their art.

About the Author
David Harris worked in both design studios and advertising agencies before going to Exeter College of Art where he teaches lettering and calligraphy. He has previously written two other books on calligraphy.

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20 of 20 people found the following review helpful.
Not bad
By SMS
For a beginner, or even those with some calligraphy proficiency, this is certainly a must-have as it takes you step by step through all the tools needed and the techniques required. My only issue with this book is that, as much as it boasts 100 alphabets, most of them are so similar in structure that you feel somewhat cheated. This book would have been excellent if the fonts were more varied. However, a recommend it for all beginners who wish to be self-taught.

5 of 5 people found the following review helpful.
Alphabets, the stroke order, height/width and other important details.
By Amazon Customer
Alphabets, AND the stroke order! Not just 100 fonts printed in bulk, but careful details on actually inking these beautiful glyphs.

4 of 4 people found the following review helpful.
It's a good one, with a brief history of calligraphy prior ...
By Tony Duda
As an old guy with a 7-year-old granddaughter who is showing interest and budding talent in creating letterforms, I purchased this book/workbook as a means to introduce her to calligraphy. It's a good one, with a brief history of calligraphy prior to illuminating the way to creating letters, with stroke-by-stroke guidance and a wonderfully designed layout. The weight of the paper is substantial, approaching a card stock thickness, and it looks as though this book will take a beating and survive. Now I have to shop for some calligraphic pens...
Happy with this purchase, and eager to get started in my new role as an assistant to a new calligrapher!

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Jumat, 19 Oktober 2012

[U574.Ebook] Download The Fall of Public Man, by Richard Senett

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The Fall of Public Man, by Richard Senett

  • Sales Rank: #9296621 in Books
  • Published on: 1976
  • Binding: Paperback

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Kamis, 18 Oktober 2012

[N139.Ebook] Free PDF Theology of the New Testament, volume II, by Rudolf Karl Bultmann

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Theology of the New Testament, volume II, by Rudolf Karl Bultmann

  • Sales Rank: #3542811 in Books
  • Published on: 1955
  • Number of items: 1
  • Binding: Hardcover

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Selasa, 09 Oktober 2012

[O709.Ebook] Free Ebook An Unwritten Novel: Fernando Pessoa's The Book of Disquiet (Dalkey Archive Scholarly), by Thomas J Cousineau

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An Unwritten Novel: Fernando Pessoa's The Book of Disquiet (Dalkey Archive Scholarly), by Thomas J Cousineau

A richly insightful guide to Fernando Pessoa's masterpiece, for both students and the common reader.

  • Sales Rank: #3071705 in Books
  • Brand: Brand: Dalkey Archive Press
  • Published on: 2013-07-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.40" h x .40" w x 5.40" l, .60 pounds
  • Binding: Paperback
  • 170 pages
Features
  • Used Book in Good Condition

Review

"Tom Cousineau's An Unwritten Novel is a fine study of Pessoa's Book of Disquiet--the first of its kind in any language, so far as I know. Cousineau does an excellent job of identifying and unraveling key strands in Pessoa's work, which he then reweaves in various patterns to illuminate Fernando Pessoa, his semi-autobiographical persona Bernardo Soares, and their collaborative project(ion) of Disquiet. An Unwritten Novel, well-written and well-argued, is an important contribution to Pessoa studies that will be much appreciated by Pessoa scholars and by anyone who admires the work of Portugal's great Modernist writer."--Richard Zenith

From the Back Cover

"Tom Cousineau's An Unwritten Novel is a fine study of Pessoa's Book of Disquiet—the first of its kind in any language, so far as I know. Cousineau does an excellent job of identifying and unraveling key strands in Pessoa's work, which he then reweaves in various patterns to illuminate Fernando Pessoa, his semi-autobiographical persona Bernardo Soares, and their collaborative project(ion) of Disquiet. An Unwritten Novel, well-written and well-argued, is an important contribution to Pessoa studies that will be much appreciated by Pessoa scholars and by anyone who admires the work of Portugal's great Modernist writer."—Richard Zenith

About the Author
Thomas� Cousineau teaches English at Washington College. Along with guest-editing “Beckett in France”� for the Journal of Beckett Studies, he has published Waiting for Godot: Form in Movement, After the Final No: Samuel Beckett’s Trilogy,� Ritual Unbound: Reading Sacrifice in Modernist Fiction, and Three-Part Inventions: The Novels of Thomas Bernhard.

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8 of 9 people found the following review helpful.
Review from Truthtableaux
By Flounder
Thomas J. Cousineau's scholarly expertise on twentieth-century literary modernism informs his new critical study An Unwritten Novel: Fernando Pessoa's The Book of Disquiet (Dalkey Archive 2013). Cousineau offers us an informed introduction to a leading document of modernism that serves scholarly interests and undergraduate teaching needs.

After earning a doctoral degree at the University of California, Davis, Cousineau taught at Washington College in Chestertown, Maryland for 34 years and has lectured at several French universities, including the University of Paris. Before retiring, he taught courses and published scholarship on literary modernism, Joyce and Beckett, and literary theory.

Inspired by Ovid's Metamorphosis, Cousineau advances a notion he calls "The Dedalus Complex," which he claims can be found in Pessoa's The Book of Disquiet and other modernist texts. He explores Kenneth Burke's assertion that "the perfection of the work, including the `perfecting of the victim' is a motive underlying all narratives." Thereby, the `perfect work' is represented by the artisan's constructed objects, such Icarus's wings and Minos's labyrinth. Accordingly, writers create `perfect victims' in the form of protagonists who are displaced by or sacrificed in the creation of literary masterpieces.

Related to the grand narratives of modernist texts is T.S. Eliot's question, "Is it true that sometimes one can only live by another's dying?" Eliot revisits this question in his famous essay "Tradition and the Individual Talent," making a connection between "the man who suffers" and "the mind which creates." Eliot's tragi-comic anti-heroes emulate his own aesthetic response to the modern world.

The early modernist W.B. Yeats had a similar idea on the poetic making and unmaking of imaginative possible worlds. He was well-acquainted with the pre-Socratic philosopher Heraclitus's gnomic fragment, "Mortals are immortals and immortals are mortals, the one living the other's death and dying the other's life," which became his essential myth of a daimonic-infused universe. Yeats summarized his philosophical outlook by saying, "To me all things are made of the conflict of two states of consciousness, beings or persons which die each other's life, live each other's death."

Many modernist texts represent the tropes of living and dying, wastefulness and unholy sacrifice, and the dying gods of our myths in forms of writing that collect multiple intelligences and consciousnesses confronting a schizophrenic epoch. Basically, modernism engages with the ethos of constructive and destructive forces of rationality.

Some writers interrogated literary, moral, metaphysical, and urban problems with partial or fragmented discursivity-equally valid among them is the squelch, scream, and silence of individual voices. Moreover, elementary logic became a coda of literary innovation-tautologies, contradictions, fallacies, and paradoxes launch manifestos and were integrated into reactions against politics, war, rumors of war, and genocide.

Cousineau's study attempts to unravel the Ariadne threads of Pessoa's The Book of Disquiet by citing its existential themes, which he maintains are rooted in Dante, Shakespeare's Hamlet, and the Dedalus myth. Pessoa believed in a godless universe but rather than claim this condition to be meaninglessness, he says that we compensate by creating a "cult of humanity," a dependence on scientific rationalism and materialism.

In contrast to this tendency, Pessoa's heteronym Bernardo Soares aspired to cultivate a "cult of the superior man," which is a Nietzschean idea that appealed to many modernist thinkers, including Yeats. The idea drew conspicuous comparisons with Matthew Arnold's `great man' theory, based on Nietzsche's `transvaluation of values' by the Ubermensch. For its own purposes, this view was not, as Cousineau claims, an aesthetic ideal that Pessoa found in Virgil and Dante.

Cousineau's analysis depends heavily on his idea of "The Dedalus Complex." My worry is that if he's wrong about this interpretative template, then much of his hard work in making interesting connections must be tossed out.

He rightly points out that The Book of Disquiet is a "factless autobiography" that diverges from the novel. There are no characters, dialogue, narration, or formal plot. In reference to "The Dedalus Complex," Cousineau asserts that Pessoa extols his artistic achievement in terms of "personal crisis." Details of place substitute for a plot, such that the narrative elements are unwritten and are deliberately mutilated or fragmented. Pessoa's episodes don't cohere into a plot but are rather "modest apocalypses with an aura of timelessness."

According to Cousineau, Pessoa's literary predecessors are Dante, Shakespeare, and Milton. If this claim is true, I'm not sure how much mileage we get from it. After all, Harold Bloom's psychoanalytic "anxiety of influence" isn't as persuasive as it once was. Nevertheless, none of the above writers experiment in "hybrid, indeterminate forms of authorship," nor did they write in fragments, collages, or use parataxis. And none of them eschewed novelistic forms, as Pessoa did. If he had literary predecessors, then they were Pater, Wilde, Baudelaire, Rimbaud, Valery, and the Decadents. These figures espoused the "dignity of tedium" and the creative ambitions of artifice.

In spite of Cousineau's interesting analyses and insights, we cannot overlook his omissions. Although Pessoa's The Book of Disquiet is a significant contribution to literary modernism, it also contains a lot of philosophy. Yeats, Pound, Eliot, Lawrence, and Woolf were respectively immersed in modern and contemporary philosophical movements. A major event in the development of modernism was the fall of Hegelian Idealism at Cambridge and the subsequent rise of analytic or linguistic philosophy, initiated by Bertrand Russell, G.E. Moore, and Ludwig Wittgenstein.

One of the merits of Pessoa's The Book of Disquiet is its engagement with philosophical topics, aside from its existential angst in the vein of Shakespeare's Hamlet or its Freudian libidinal complexes. Pessoa reported on the banality of human suffering in a cosmos with a superfluous god. He mastered pathological ennui, the writing of dejection, and the cold anguish of urban dwelling.

As his recently published Philosophical Essays show us, Pessoa was well-acquainted with continental philosophy. He read Descartes, Berkeley, Kant, Hegel, and Nietzsche. He wrote on metaphysical topics: free will, mind-body dualism, space and time, immortality, and the existence of God. None of these philosophers or topics are discussed in Cousineau's study.

Pessoa was a decadent thinker as much as an existential dreamer who had many personalities within him. "The Dedalus Complex" notwithstanding, he embraced the dialectical aggregate of the Apollonian and Dionysian. In this way, Pessoa's existentialism had more in common with Kierkegaard's than Sartre's, because he synthesized the multiple consciousnesses of ethical and aesthetic strands into a distressed utterance as powerful as the logos of Abraham's God.

Pessoa's The Book of Disquiet represents the absurd exile of mirrors and wardrobes that confine body and bodily movements on inelegant hangers of rejection and denial, similitude and dissolution, whereby the apocalyptic revelation of life's mystery is a direct manifestation of reality from which time never awakens. Along with Pessoa, we can learn to ask, "Who among us, looking down the path of no return, can say they followed it in the right way?"

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[R954.Ebook] Ebook Download Illustrated Signs and Symbols Sourcebook An a to Z Compendium of over 1000 Designs, by Adele Nozedar

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Illustrated Signs and Symbols Sourcebook An a to Z Compendium of over 1000 Designs, by Adele Nozedar

Book by Adele Nozedar

  • Sales Rank: #309036 in Books
  • Brand: Sterling Publishing
  • Published on: 2010
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Paperback
Features
  • Used Book in Good Condition

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35 of 35 people found the following review helpful.
Excellent Collection of Knowledge
By Arcturus70
The Illustrated Signs & Symbols Sourcebook: An A to Z Compendium should be in every serious library as a reference in my opinion. This book contains detail descriptions and images of important concepts within the Humanities and human experience...from ancient to modern. Another reviewer highlighted the major sections of the book, so I won't repeat them here, but I will say I agree with that review as to the depth and breadth of content. To help others see what type of book this is, I loaded some images in Amazon. From these three picts, shoppers can get an idea of the information layout, fonts, and graphics. I always find that helpful to "see inside."

This diverse reference book makes a wonderful companion piece to world mythology courses and history studies. The content represents peoples and cultures of all continents. The Introduction is most helpful in explaining the importance and far-reaching influence of signs and symbols. For me, it helps me brainstorm lessons and activities for my myth and cultural studies classes. / Avid readers of sci-fi and fantasy may find this book interesting... particularly readers of Harry Potter who might want to delve deeper into topics Ms. Rowling weaves into her stories.

Here are some of the intriguing topics found within the book: the Beckoning Cat; Celtic Cross & Knotwork; Colors and Meaning; Freemasonry; Kabbalah; Tarot; Wheel; Zodiac; Elements; Universe & Milky Way; Sacred and mythic Animals and plants; Green Man; Hogan; Medicine Wheel; Pagoda; various ancient alphabets;various festivals and celebrations. These are just the tip of the iceberg.

This book is listed as a paperback. The cover is actually much more study than your average paperback book. Seems to hold up well under repeated use. There may be better products out there in this genre, but for the money and the size, there's a lot of amazing stuff!

19 of 19 people found the following review helpful.
Great Reference Book!!
By Amazon Customer
This is a great reference book, it's an 8 1/2 X 11 paperback book, 543 pages. This book starts out with an introduction on what symbols are, what makes a symbol sacred or secret. It's broken down into the following sections:
- SIGNS & SYMBOLS OF MAGIC & MYSTERY
- A WORLD OF HIDDEN SECRETS
*Symbols in the Elements , the Landscape, and the Natural World
- FAUNA
*The Secret Symbols of the Animal Realms
- FLORA
*The Concealed Wisdom of the Plant Kingdom
- FLOWERS OF THE UNDERWORLD
- THE Mystical Charisma of Minerals, Metal, and Gems
- SACRED GEOMETRY AND PLACES OF PILGRIMAGE
- NUMBERS
- SACRED SOUNDS, SECRET SOUNDS
- THE BODY AS A SACRED MAP
- RITES & RITUALS, CUSTOMS & OBSERVANCES
- THE NATURE OF THE DIVINE
*The Ultimate Symbolic Expression of Human Potential

(From the Back Cover)
Why do Masonic temples have a black and white checkered floor? What is the difference between a pentacle and a pentagram? Why is the snail one of the most significant symbolic creatures in the Mayan mathematics?

THE SIGNS & SYMBOLS SOURCEBOOK is an A to Z treasure trove of facts, stories and hidden meanings of symbols from cultures around the world. Where does each symbol come from and what does it mean? Learn about Native American hunting symbols, secret alphabets, and coded messages. Find out the true meanings of Indian mudras, the Masonic compass, the Eye of Horus, the Caduceus, and hundreds of other ancient signs. Loaded with over a thousand lush images, this comprehensive sourcebook has everything you need to unlock the secrets of the symbols of our world.

I am an avid reader and have truly enjoyed this book and have referred to it several times, I highly recommend it.

7 of 7 people found the following review helpful.
Use with caution and check other sources
By Kasandra Ireland
This book contains a huge number of entries from all over the world. It's a noble effort, but I found it lacking in accuracy as well as substance in terms of the actual meanings of many symbols. Instead, it often meanders into supposition and conjecture. For example, the entry for the "Ringstone symbol" of the Baha'i Faith (p.130) asserts that the cross bar "has the same significance as the World Tree." The entry goes on to say that the elongated five pointed star is the official symbol of the Baha'i Faith. This is incorrect on both counts. The cross bar symbolizes the Word of God that connects the world of God, the world of the manifestations of God and the world of man. The elongated five pointed star does appear in some writings, but it is the nine pointed star that is the official symbol of the Baha'i Faith.
In the entry on the "Hindu Pantheon" (p. 502) there is mention of the vast and complex system of Hindu deities, but only three are are described (Ganesh, Kali and Sarasvati). There is no mention of Krishna or Radha or Shiva. Also, there are two illustrations of Sarasvati, six illustrations of Ganesh and no others. With a multitude of deities, why use six illustrations of the same deity? Very odd.
Many of the illustrations look like they were taken from whatever could be found in the free online libraries. Some are just plain wrong. The illustrations labeled as "Belladonna" (p. 291) are actually two different kinds of lilies and bare no resemblance or relation to the tiny blue star shaped flowers of Belladonna.
These are only a few of a great many errors I've found so far. While this book might be a good place to start, I would not call it objectively researched, well written, nor authoritative. Use it cautiously and verify everything with other sources.

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[A201.Ebook] Download Ebook The Death and Afterlife of Mahatma Gandhi (Routledge Hindu Studies Series), by Makarand R. Paranjape

Download Ebook The Death and Afterlife of Mahatma Gandhi (Routledge Hindu Studies Series), by Makarand R. Paranjape

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The Death and Afterlife of Mahatma Gandhi (Routledge Hindu Studies Series), by Makarand R. Paranjape

The Death and Afterlife of Mahatma Gandhi (Routledge Hindu Studies Series), by Makarand R. Paranjape



The Death and Afterlife of Mahatma Gandhi (Routledge Hindu Studies Series), by Makarand R. Paranjape

Download Ebook The Death and Afterlife of Mahatma Gandhi (Routledge Hindu Studies Series), by Makarand R. Paranjape

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The Death and Afterlife of Mahatma Gandhi (Routledge Hindu Studies Series), by Makarand R. Paranjape

Who is responsible for the Mahatma’s death? Just one single, but determined,�fanatic, the whole ideology of Hindu nationalism, the ruling Congress-led government whichfailed to protect him, or a vast majority of Indians and their descendants who considered Gandhi irrelevant? Such questions mean that Gandhi, even after his tragic and brutal death, continues to haunt India – perhaps more effectively in his afterlife than when he was alive.

The Death and Afterlife of Mahatma Gandhi is a groundbreaking and profound analysis of the assassination of the ‘father of the nation’ and its after-effects. Paranjape argues that such a catastrophic event during the very birth pangs of a new nation placed a huge burden of Oedipal guilt on Indians, and that this is the reason for the massive repression of the murder in India’s political psyche. The enduring influence of Gandhi is analysed, including his spectral presence in Indian cinema. The book culminates in Paranjape’s reading of Gandhi’s last six months in Delhi, where, from the very edge of the grave, he wrought what was perhaps his greatest miracle, the saving of Delhi and thus of India itself from internecine bloodshed.

This evocative and moving meditation into the meaning of the Mahatma’s death will be relevant to scholars of Indian political and cultural history, as well as those with an interest in Gandhi and contemporary India

  • Sales Rank: #4106494 in Books
  • Published on: 2014-04-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.80" h x .80" w x 6.90" l, 1.23 pounds
  • Binding: Hardcover
  • 230 pages

Review

"A�remarkable work of research and analysis. ... it is obvious that you have come up with a most valuable text."

Rajmohan Gandhi, Professor of Political Science at the University of Illinois at Urbana-Champaign, former member of the Indian Parliament, and a grandson of the Mahatma.

"...New, creative, and daring interpretations.... little patience with the Gandhi hagiography and with devotees and critics simply recycling the same tired interpretations for decades. ... the lively engaging writing style and the challenging creative interpretations are definite strengths."

"...fascinating and thought-provoking sections getting at the patricide, Oedipus Complex...your central interpretation is daring and challenging...."

Douglas Allen, University of Maine

"You have made your readers understand Gandhi’s life in a new way--by understanding the meaning and the manner of his death. This is an original approach to Gandhi and you make a most welcome addition to the Gandhi literature."

Professor Anthony J. Parel, Calgary University

About the Author

Makarand R. Paranjape is Professor of English at Jawaharlal Nehru University, New Delhi. Among his latest monographs is Making India: Colonialism, National Culture, and the Afterlife of Indian English Authority (2012) and Altered Destinations: Self, Society, and Nation in India (2010). His previous work on Gandhi includes Decolonization and Development: Hind Svaraj Revisioned (1993).

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